Cocktail 1988

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A young, ambitious New York bartender becomes the toast of Manhattan's Upper East Side. But when he moves to Jamaica and finds true love, he gains a new perspective on his life.

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Cocktail

Cocktail (1988)

Tom Cruiseas Brian Flanagan
Bryan Brownas Doug Coughlin
Elisabeth Shueas Jordan Mooney
Lisa Banesas Bonnie
Laurence Luckinbillas Mr. Mooney

Directed by

Produced by

Screenplay by

Photographed by

Music by

"Cocktail" tells the story of two bartenders and their adventures in six bars and several bedrooms. What is remarkable, given the subject, is how little the movie knows about bars or drinking.

Early in the film, there's a scene where the two bartenders stage an elaborately choreographed act behind the bar. They juggle bottles in unison, one spins ice cubes into the air and the other one catches them, and then they flip bottles at each other like a couple of circus jugglers. All of this is done to rock 'n' roll music, and it takes them about four minutes to make two drinks. They get a roaring ovation from the customers in their crowded bar, which is a tip-off to the movie's glossy phoniness. This isn't bartending, it's a music video, and real drinkers wouldn't applaud, they'd shout: "Shut up and pour!" The bartenders in the film are played by Tom Cruise, as a young ex-serviceman who dreams of becoming a millionaire, and Bryan Brown, as a hard-bitten veteran who has lots of cynical advice. Brown advises Cruise to keep his eyes open for a "rich chick," because that's his ticket to someday opening his own bar. Cruise is ready for this advice.

He studies self-help books and believes that he'll be rich someday, if only he gets that big break. The movie is supposed to be about how he outgrows his materialism, although the closing scenes leave room for enormous doubts about his redemption.

The first part of the movie works the best. That's when Cruise drops out of school, becomes a full-time bartender, makes Brown his best friend and learns to juggle those bottles. In the real world, Cruise and Brown would be fired for their time-wasting grandstanding behind the bar, but in this movie they get hired to work in a fancy disco where they have a fight over a girl and Cruise heads for Jamaica.

There, as elsewhere, his twinkling eyes and friendly smile seem irresistible to the women on the other side of the bar, and he lives in a world of one-night stands. That's made possible by the fact that no one in this movie has ever heard of AIDS, not even the rich female fashion executive (Lisa Banes) who picks Cruise up and takes him back to Manhattan with her.

What do you think? Do you believe a millionaire Manhattan woman executive in her 30s would sleep with a wildly promiscuous bartender she picks up on the beach? Not unless she was seriously drunk. And that's another area this movie knows little about: the actual effects of drinking. Sure, Cruise gets tanked a couple of times and staggers around a little and throws a few punches. But given the premise that he and Brown drink all of the time, shouldn't they be drunk, or hung over, at least most of the time? Not in this fantasy world.

If the film had stuck to the relationship between Cruise and Brown, it might have had a chance. It makes a crucial error when it introduces a love story, involving Cruise and Elisabeth Shue, as a vacationing waitress from New York. They find true love, which is shattered when Shue sees Cruise with the rich Manhattan executive.

After the executive takes Cruise back to New York and tries to turn him into a pampered stud, he realizes his mistake and apologizes to Shue, only to discover, of course, that she is pregnant - and rich.

The last stages of the movie were written, directed and acted on automatic pilot, as Shue's millionaire daddy tries to throw Cruise out of the penthouse but love triumphs. There is not a moment in the movie's last half-hour that is not borrowed from other movies, and eventually even the talented and graceful Cruise can be seen laboring with the ungainly reversals in the script. Shue, who does whatever is possible with her role, is handicaped because her character is denied the freedom to make natural choices; at every moment, her actions are dictated by the artificial demands of the plot.

It's a shame the filmmakers didn't take a longer, harder look at this material. The movie's most interesting character is the older bartender, superbly played by Brown, who never has a false moment. If the film had been told from his point of view, it would have been a lot more interesting, but box-office considerations no doubt required the center of gravity to shift to Cruise and Shue.

One of the weirdest things about "Cocktail"' is the so-called message it thinks it contains. Cruise is painted throughout the film as a cynical, success-oriented 1980s materialist who wants only to meet a rich woman and own his own bar. That's why Shue doesn't tell him at first that she's rich. Toward the end of the movie, there's a scene where he allegedly chooses love over money, but then, a few months later, he is the owner and operator of his own slick Manhattan singles bar.

How did he finance it? There's a throwaway line about how he got some money from his uncle, a subsistence-level bartender who can't even afford a late-model car. Sure. It costs a fortune to open a slick singles bar in Manhattan, and so we are left with the assumption that Cruise's rich father-in-law came through with the financing. If the movie didn't want to leave that impression, it shouldn't have ended with the scene in the bar. But then this is the kind of movie that uses Cruise's materialism as a target all through the story and then rewards him for it at the end. The more you think about what really happens in "Cocktail," the more you realize how empty and fabricated it really is.

Cocktail (2012)

TOMATOMETER

Tomatometer Not Available.

AUDIENCE SCORE

Critic Consensus: No consensus yet.

Cocktail Photos

Movie Info

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as Kunal Ahuja (Special Appearance)

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Critic Reviews for Cocktail

This cocktail is more virgin than bloody Mary.

A heady blend of terse dialogue, slick cinematography, an electric soundtrack and engaging characters, Cocktail will appeal in particular to the margarita-swilling members of the audience.

Cocktail is a fun, romantic romp.

Despite a predictable plot, director Imtiaz Ali gives this run-of-the-mill love triangle a fresh makeover.

Audience Reviews for Cocktail

A great entertainer and a certain winner among the youth. The story lacks penetration but the actors do an OUTSTANDING job of not making us know that. Deepika Padukone is fantastic as Veronica while Saif Ali Khan does very well as Gautam. Diana is great (if considering that its her first film). All in all its a great film, full laughs and love. Could have been a little shorter and certainly could have had a more dramatic ending (with the story that was being told in the 1st half) but it is still is a great entertainer and decent enough love story after long, long time (since Jab We Met).

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Cocktail (1988)

TOMATOMETER

Critics Consensus: There are no surprises in Cocktail, a shallow, dramatically inert romance that squanders Tom Cruise's talents in what amounts to a naive barkeep's banal fantasy.

AUDIENCE SCORE

Critic Consensus: There are no surprises in Cocktail, a shallow, dramatically inert romance that squanders Tom Cruise's talents in what amounts to a naive barkeep's banal fantasy.

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Movie Info

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Critic Reviews for Cocktail

Cocktail is a bottle of rotgut in a Dom Perignon box.

The pairing of old-hand Brown and young-hand Cruise may have been meant to remind us of Cruise and Paul Newman; if so, think of this as The Color of Counterfeit Money.

It may not be a megaton bomb, but Cocktail is definitely of the Molotov type.

Very, very stupid.

Cruise is beguiling with his smile and his swagger, but the script doesn't take us anywhere fresh when it leaves the barroom.

This vacant, misshapen film is basically an extended beer commercial that presents the world as a ludicrous place populated by sex-and-cash-and-booze-crazed zomboids. Cruise, meanwhile, comes off as a somewhat taller Spuds MacKenzie.

Perhaps the best one can say for this bland concoction mixed by agents and the studio executives is that every bartender in Hollywood wants to be Tom Cruise and that suffices as an ironic subtext.

The philosopher Hannah Arendt once wrote a book about the banality of evil. After seeing Cocktail, I want to write one about the evil of banality.

If they gave you this in a bar, you'd send it back.

With no fewer than 17 of Donaldson's favorite rock songs and a complete lack of dramatic impetus, Cocktail would fare better as an extended-play music video.

If some other drug were treated this way in a movie, lots of outraged people -- including parents and politicians -- would be up in arms. But it's only alcohol, the reasoning seems to go, so it's all harmless fun.

Cruise oozes as much charm as in Top Gun and The Colour of Money, but the mix of bar-acrobatics and Caribbean love isn't anywhere near strong enough to get you drunk.

Audience Reviews for Cocktail

What has Mr Cruise done to blokes over the years huh. He made us all wanna join the military so we could play with fighter jets and have a cool nickname, play/hustle nine-ball for a living, be a NASCAR driver. but at one point he also made all men wanna become bartenders. The image. behind a slick neon lit bar, fast money and easy sex, who would say no?. Well the plot in this ever so 80's flick is a cocktail of drama in itself!. Kicks off as a loose dumb story about a young guy who learns to be a bartender and throws bottles around awful looking swanky yuppie/suit type bars. From there we get cheating, backstabbing and escapism to Jamaica where a soppy love story breaks out. More backstabbing follows as we proceed to more heartbreak and the involvement with older rich women, much more fun then. Yet more breakup, death of a friend and eventual makeup leading to the obvious happy ending. A veritable rollercoaster of a plot which is totally uninteresting and rather cringeworthy. Watching Cruise pose and strut around with his wide toothy grin and hair that can't decide to be straight or curly is somewhat painful at times. The bar scenes are really quite crap looking back, I remember how people thought this stuff was sooooo cool (laugh out loud!). The cast is also another odd cocktail of choice. Aussie Bryan Brown who never really made much of a splash in Hollywood is a bizarre choice. Whilst Shue was never very attractive in my book and hardly sells her character, so dreadfully vanilla and dull!! geez. Brown is just totally uncool and annoying whilst Shue is a wet fish. Add to that the constant flow of hyped over acting and mugging by Cruise. oh god it makes you wanna vomit in your Singapore Sling!. A film for the ladies I think as the only things that interested me was a few female arse shots and the thought of what life would be like as a sex toyboy for a rich middle aged business woman (I would of stuck it out). In places this film is very awkward to watch, bordering on embarrassing. So completely and utterly dated (in a bad way) and serves no purpose other than a history lesson on 80's social gatherings and what people thought was cool employment at the time. A time when Cruise's ego was sky high alongside his over acting, mind you what's new.

It's always an eye opening experience when you enjoy a film that you know you should hate. Such is the self hatred roller coaster of Cocktail, a very basic and uninspiring premise, also poorly executed, but way too much fun with its camp and cast of characters to incite the usual villagers with torches effect. Yes, the eighties were an especially grotesque time for cinema, including sex fueled debauchery, consumerism going hand in hand with Reagan economics, and some mind altering soundtracks and scores, all synth, all the time. Cocktail gravitates towards these pitfalls with great ease, but never quite makes it into awful, mostly because of the intriguing cast. The plot itself is nauseating, starting off as a great story of a bartender following his dream of wealth and power. Instead of climbing the ladder, or at least cultivating a "there's more to life than money" mentality, our protagonist becomes ever more unlikable, a lady's man so in your face it's an ugly portrayal. Somehow we bounce between New York City and Jamaica, but not in a timeline that makes any sense, including a romance with Elisabeth Shue's character. It's because Tom Cruise can pull off cocky in almost all roles, and Shue is the obliged girl next door, that this is a cult success. Even though the story, with all the rags to riches mentality, but none of the follow through, is based on Cruise's character, it just isn't juicy enough for the audience. There's so much materialistic buildup from our hero, that his subsequent behavior and that of the other characters is sickening, especially Shue's. Still, anything with Cruise in the eighties includes an eyeful of neon and that quirky grin, which is enough for any woman with an open mind.

One of the best romantic films ever made. I'm in love with this film and Tom Cruise was exceptional.

What a waste of talent, I hated it.

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Cocktail

Cocktail (1988)

Tom Cruiseas Brian Flanagan
Bryan Brownas Doug Coughlin
Elisabeth Shueas Jordan Mooney
Lisa Banesas Bonnie
Laurence Luckinbillas Mr. Mooney

Directed by

Produced by

Screenplay by

Photographed by

Music by

"Cocktail" tells the story of two bartenders and their adventures in six bars and several bedrooms. What is remarkable, given the subject, is how little the movie knows about bars or drinking.

Film cocktail

Cocktail is a 2010 Malayalam thriller film edited and directed by Arun Kumar. The film stars Jayasurya, Anoop Menon, Samvrutha Sunil, Fahad Fazil, Innocent, and Mamukkoya. It is co-written by Anoop Menon and is an uncredited remake of the Canadian film Butterfly on a Wheel. It was the directorial debut of film editor Arun Kumar.

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The Worldwide Guide to Movie Locations: Exploring film locations around the world

Cocktail film locations

Film locations: New York City; Ontario; Jamaica

Cocktail, 1988

visit the film locations

Baker Street Pub , 1152 First Avenue ( tel: 212.688.9663 )

The 1963 film of Lord of the Flies and 1986 comedy Club Paradise , with Robin Williams and Peter O'Toole, also filmed in Port Antonio .

Cocktail location: TGI Friday, 1152 First Avenue, New York (before it reopened as the Baker Street Pub)

Brian Flanagan (Tom Cruise) learns the value of true lurve, and how to juggle bottles, in this predictable, flashy fluff, set mainly around New York.

The East Side bar where Brian and Doug Coughlin (Bryan Brown) practise their synchronised juggling was TGI Friday’s (it has since closed down) which stood at 1152 First Avenue at 63rd Street (though the interiors filmed at a recreation of the bar in a Canadian studio). The TGI bar is now the Sherlock Holmes-themed Baker Street Pub.

Cocktail location: Flanagan’s uncle’s bar, ‘Pat’s Place’: 50th Avenue, Queens

‘Pat’s Place’, Flanagan’s uncle’s bar,was in Queens , at the western corner of 50th Avenue and Jackson Avenue in Long Island City .

Flanagan’s success takes him to Jamaica, where the beach bar scenes were staged at Dragon Bay Beach, Port Antonio in Jamaica, where the bar is now called surprise – Cruise Bar . In 2010, Tom Cruise returned to Port Antonio for the tropical island scene in Knight And Day.

The waterfall is Reach Falls , on the Drivers River , inland from Manchioneal on the northern coast.

Like many ‘New York’-set films, much of Cocktail , though, was shot in Toronto , at Soupy’s Tavern (now Stoopy’s ), 376 Dundas East ; Lee’s Palace, 529 Bloor West ; the Old Don Jail ; Knox College at the University of Toronto; Casa Loma ; Canada Life Building ; the Beardmore Building and St John’s Norway Cemetery .

• Many thanks to Anders Hansen for help with this section.

Film / Cocktail

Edit Locked

A 1988 film from Touchstone Pictures starring Tom Cruise, Elisabeth Shue, and Bryan Brown. Cruise plays Brian Flanagan, a former soldier returning home to New York City. Brian hopes to make it big on Wall Street, only to be told by every investment firm in town not to waste his time. He has no college education, no job prospects, and no future. His part-time bartending job becomes his only option. But even becoming one of New York's top bartenders won't make him a millionaire. What might? Marrying a rich woman.

His outlook on life changing, Brian heads down to Jamaica where the money is flowing. There, despite early protests against falling in love, he meets the girl who will change everything.

This film provides examples of:

Adaptation Distillation: Though the movie keeps the major characters, and some of the situations, it cuts large portions of the novel out.
The Bartender: Naturally. Brian progresses from a part-time one to a full-time one and eventually to an entrepreneur. He learns his job from Doug who's also a bartender.
Big Applesauce: Set in NYC, except for the parts that take place on Jamaica.
Driven to Suicide: Doug Coughlin after ending up being on the verge of bankruptcy.
The '80s: Made in good ol' 1988 and also takes place in or around that year.
'80s Hair: Obviously. Jordan, for example, has a big, curly, fluffy hairstyle which is typical for the decade. Also, take a look at the three girls prominent in Brian's "part-time job" scenes.
Fish out of Water: Brian, when he first starts behind the bar. Let's just say he doesn't even know what's in a martini.
Flair Bartending: The codifier of this trope in media.
Food Slap: Tom Cruise's character goes to the restaurant where Jordan works, and she responds by offering him the "Daily Special" — right on his lap.
Gold Digger: Both Doug and Brian are trying to be this at times.

Lighter and Softer: Than the (rather obscure) novel it's based on.
Nothing but Hits: The songs used in the movie
Pretty in Mink: Doug's wife wears a sable coat to show far Doug rose (before he lost everything).
Returning War Vet: Brian, though the skills he used in the army don't help him get a job on Wall Street or behind the bar.
Rich Suitor, Poor Suitor: A gender-swapped version, when Brian ditches the young artist/waitress he's in love with in favor of a rich older woman. He eventually changes his mind. Subverted when it turns out that the waitress is actually an heiress, and double-subverted when her family disowns her for getting back together with Brian, so at least in the short-term she really is poor.
Travelling Salesman Montage: The series of Brian's failed job interviews is executed as this.

What the Heck Is an Aglet?: A "Flugelbinder," apparently.

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пятница, 19 января 2018 г.

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Cocktail 1988

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Cocktail

Cocktail (1988)

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Cocktail

Cocktail (1988)

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Screenplay by

Photographed by

Music by

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пятница, 19 января 2018 г.