Cocktail 1988
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A young, ambitious New York bartender becomes the toast of Manhattan's Upper East Side. But when he moves to Jamaica and finds true love, he gains a new perspective on his life.
Cocktail (1988)
TOMATOMETER
Critics Consensus: There are no surprises in Cocktail, a shallow, dramatically inert romance that squanders Tom Cruise's talents in what amounts to a naive barkeep's banal fantasy.
Critics Consensus: There are no surprises in Cocktail, a shallow, dramatically inert romance that squanders Tom Cruise's talents in what amounts to a naive barkeep's banal fantasy.
AUDIENCE SCORE
Critic Consensus: There are no surprises in Cocktail, a shallow, dramatically inert romance that squanders Tom Cruise's talents in what amounts to a naive barkeep's banal fantasy.
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News & Interviews for Cocktail
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Critic Reviews for Cocktail
Cocktail is a bottle of rotgut in a Dom Perignon box.
The pairing of old-hand Brown and young-hand Cruise may have been meant to remind us of Cruise and Paul Newman; if so, think of this as The Color of Counterfeit Money.
It may not be a megaton bomb, but Cocktail is definitely of the Molotov type.
Very, very stupid.
Cruise is beguiling with his smile and his swagger, but the script doesn't take us anywhere fresh when it leaves the barroom.
This vacant, misshapen film is basically an extended beer commercial that presents the world as a ludicrous place populated by sex-and-cash-and-booze-crazed zomboids. Cruise, meanwhile, comes off as a somewhat taller Spuds MacKenzie.
Perhaps the best one can say for this bland concoction mixed by agents and the studio executives is that every bartender in Hollywood wants to be Tom Cruise and that suffices as an ironic subtext.
The philosopher Hannah Arendt once wrote a book about the banality of evil. After seeing Cocktail, I want to write one about the evil of banality.
If they gave you this in a bar, you'd send it back.
With no fewer than 17 of Donaldson's favorite rock songs and a complete lack of dramatic impetus, Cocktail would fare better as an extended-play music video.
If some other drug were treated this way in a movie, lots of outraged people -- including parents and politicians -- would be up in arms. But it's only alcohol, the reasoning seems to go, so it's all harmless fun.
Cruise oozes as much charm as in Top Gun and The Colour of Money, but the mix of bar-acrobatics and Caribbean love isn't anywhere near strong enough to get you drunk.
Audience Reviews for Cocktail
What has Mr Cruise done to blokes over the years huh. He made us all wanna join the military so we could play with fighter jets and have a cool nickname, play/hustle nine-ball for a living, be a NASCAR driver. but at one point he also made all men wanna become bartenders. The image. behind a slick neon lit bar, fast money and easy sex, who would say no?. Well the plot in this ever so 80's flick is a cocktail of drama in itself!. Kicks off as a loose dumb story about a young guy who learns to be a bartender and throws bottles around awful looking swanky yuppie/suit type bars. From there we get cheating, backstabbing and escapism to Jamaica where a soppy love story breaks out. More backstabbing follows as we proceed to more heartbreak and the involvement with older rich women, much more fun then. Yet more breakup, death of a friend and eventual makeup leading to the obvious happy ending. A veritable rollercoaster of a plot which is totally uninteresting and rather cringeworthy. Watching Cruise pose and strut around with his wide toothy grin and hair that can't decide to be straight or curly is somewhat painful at times. The bar scenes are really quite crap looking back, I remember how people thought this stuff was sooooo cool (laugh out loud!). The cast is also another odd cocktail of choice. Aussie Bryan Brown who never really made much of a splash in Hollywood is a bizarre choice. Whilst Shue was never very attractive in my book and hardly sells her character, so dreadfully vanilla and dull!! geez. Brown is just totally uncool and annoying whilst Shue is a wet fish. Add to that the constant flow of hyped over acting and mugging by Cruise. oh god it makes you wanna vomit in your Singapore Sling!. A film for the ladies I think as the only things that interested me was a few female arse shots and the thought of what life would be like as a sex toyboy for a rich middle aged business woman (I would of stuck it out). In places this film is very awkward to watch, bordering on embarrassing. So completely and utterly dated (in a bad way) and serves no purpose other than a history lesson on 80's social gatherings and what people thought was cool employment at the time. A time when Cruise's ego was sky high alongside his over acting, mind you what's new.
It's always an eye opening experience when you enjoy a film that you know you should hate. Such is the self hatred roller coaster of Cocktail, a very basic and uninspiring premise, also poorly executed, but way too much fun with its camp and cast of characters to incite the usual villagers with torches effect. Yes, the eighties were an especially grotesque time for cinema, including sex fueled debauchery, consumerism going hand in hand with Reagan economics, and some mind altering soundtracks and scores, all synth, all the time. Cocktail gravitates towards these pitfalls with great ease, but never quite makes it into awful, mostly because of the intriguing cast. The plot itself is nauseating, starting off as a great story of a bartender following his dream of wealth and power. Instead of climbing the ladder, or at least cultivating a "there's more to life than money" mentality, our protagonist becomes ever more unlikable, a lady's man so in your face it's an ugly portrayal. Somehow we bounce between New York City and Jamaica, but not in a timeline that makes any sense, including a romance with Elisabeth Shue's character. It's because Tom Cruise can pull off cocky in almost all roles, and Shue is the obliged girl next door, that this is a cult success. Even though the story, with all the rags to riches mentality, but none of the follow through, is based on Cruise's character, it just isn't juicy enough for the audience. There's so much materialistic buildup from our hero, that his subsequent behavior and that of the other characters is sickening, especially Shue's. Still, anything with Cruise in the eighties includes an eyeful of neon and that quirky grin, which is enough for any woman with an open mind.
One of the best romantic films ever made. I'm in love with this film and Tom Cruise was exceptional.
What a waste of talent, I hated it.
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Cocktail
Cocktail (1988)
- Tom Cruiseas Brian Flanagan
- Bryan Brownas Doug Coughlin
- Elisabeth Shueas Jordan Mooney
- Lisa Banesas Bonnie
- Laurence Luckinbillas Mr. Mooney
Directed by
Produced by
Screenplay by
Photographed by
Music by
"Cocktail" tells the story of two bartenders and their adventures in six bars and several bedrooms. What is remarkable, given the subject, is how little the movie knows about bars or drinking.
Early in the film, there's a scene where the two bartenders stage an elaborately choreographed act behind the bar. They juggle bottles in unison, one spins ice cubes into the air and the other one catches them, and then they flip bottles at each other like a couple of circus jugglers. All of this is done to rock 'n' roll music, and it takes them about four minutes to make two drinks. They get a roaring ovation from the customers in their crowded bar, which is a tip-off to the movie's glossy phoniness. This isn't bartending, it's a music video, and real drinkers wouldn't applaud, they'd shout: "Shut up and pour!" The bartenders in the film are played by Tom Cruise, as a young ex-serviceman who dreams of becoming a millionaire, and Bryan Brown, as a hard-bitten veteran who has lots of cynical advice. Brown advises Cruise to keep his eyes open for a "rich chick," because that's his ticket to someday opening his own bar. Cruise is ready for this advice.
He studies self-help books and believes that he'll be rich someday, if only he gets that big break. The movie is supposed to be about how he outgrows his materialism, although the closing scenes leave room for enormous doubts about his redemption.
The first part of the movie works the best. That's when Cruise drops out of school, becomes a full-time bartender, makes Brown his best friend and learns to juggle those bottles. In the real world, Cruise and Brown would be fired for their time-wasting grandstanding behind the bar, but in this movie they get hired to work in a fancy disco where they have a fight over a girl and Cruise heads for Jamaica.
There, as elsewhere, his twinkling eyes and friendly smile seem irresistible to the women on the other side of the bar, and he lives in a world of one-night stands. That's made possible by the fact that no one in this movie has ever heard of AIDS, not even the rich female fashion executive (Lisa Banes) who picks Cruise up and takes him back to Manhattan with her.
What do you think? Do you believe a millionaire Manhattan woman executive in her 30s would sleep with a wildly promiscuous bartender she picks up on the beach? Not unless she was seriously drunk. And that's another area this movie knows little about: the actual effects of drinking. Sure, Cruise gets tanked a couple of times and staggers around a little and throws a few punches. But given the premise that he and Brown drink all of the time, shouldn't they be drunk, or hung over, at least most of the time? Not in this fantasy world.
If the film had stuck to the relationship between Cruise and Brown, it might have had a chance. It makes a crucial error when it introduces a love story, involving Cruise and Elisabeth Shue, as a vacationing waitress from New York. They find true love, which is shattered when Shue sees Cruise with the rich Manhattan executive.
After the executive takes Cruise back to New York and tries to turn him into a pampered stud, he realizes his mistake and apologizes to Shue, only to discover, of course, that she is pregnant - and rich.
The last stages of the movie were written, directed and acted on automatic pilot, as Shue's millionaire daddy tries to throw Cruise out of the penthouse but love triumphs. There is not a moment in the movie's last half-hour that is not borrowed from other movies, and eventually even the talented and graceful Cruise can be seen laboring with the ungainly reversals in the script. Shue, who does whatever is possible with her role, is handicaped because her character is denied the freedom to make natural choices; at every moment, her actions are dictated by the artificial demands of the plot.
It's a shame the filmmakers didn't take a longer, harder look at this material. The movie's most interesting character is the older bartender, superbly played by Brown, who never has a false moment. If the film had been told from his point of view, it would have been a lot more interesting, but box-office considerations no doubt required the center of gravity to shift to Cruise and Shue.
One of the weirdest things about "Cocktail"' is the so-called message it thinks it contains. Cruise is painted throughout the film as a cynical, success-oriented 1980s materialist who wants only to meet a rich woman and own his own bar. That's why Shue doesn't tell him at first that she's rich. Toward the end of the movie, there's a scene where he allegedly chooses love over money, but then, a few months later, he is the owner and operator of his own slick Manhattan singles bar.
How did he finance it? There's a throwaway line about how he got some money from his uncle, a subsistence-level bartender who can't even afford a late-model car. Sure. It costs a fortune to open a slick singles bar in Manhattan, and so we are left with the assumption that Cruise's rich father-in-law came through with the financing. If the movie didn't want to leave that impression, it shouldn't have ended with the scene in the bar. But then this is the kind of movie that uses Cruise's materialism as a target all through the story and then rewards him for it at the end. The more you think about what really happens in "Cocktail," the more you realize how empty and fabricated it really is.
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Watch Cocktail
This movie starts with Brian Flanagan getting off the bus. He has just ended his stint in the US Army. He's headed toward the Big Apple to pursue his dreams. Once he gets there, no company will hire him without experience. He ends up going back to college and finds a job bartending at night. He meets bartender/mentor Doug Coughlin.
While bartending he meets Coral. They start fooling around. While Brian feels she is special, Doug bets him that she will be in bed with someone before the week is out. Later in the bar Coral starts kissing Doug and then Brian throws a punch. Brian quits the bar.
Later you see Brian working in a bar in Jamaica. A girl runs up and needs help for her friend who passed out on the beach. Brian helps her friend out. The girl, Jordan, comes back to thank Brian for helping her friend out. While talking to Jordan, Brian hears Dougs unwelcomed voice. He tells Brian he is there on his honeymoon.
Jordan and Brian end up having sex. Later at the bar, Doug bets Brian he can't land a sophisticated woman. He accepts the bet. He goes home with a wealthy older woman. Jordan sees them leaving together and leaves Jamaica.
Brian messed up and tries to find Jordan in New York. He finds her and she invites him to her loft. That is where she tells him she is pregnant. Brian leaves in shock.
After Brian tries to date the older woman and fails, he finds Coughlin. They go have a toast on his boat. Brian leaves and then comes back to find Coughlin had killed himself.
Brian goes to find Jordan. He breaks into her parents building and confesses to her that he loves her. They fight with her parents and leave together.
Months later in Brians new bar, Jordan is 9 months pregnant and whispers to Brian they are having twins. The patrons all clap!
Cocktail
Tom Cruise doing what he does best.
Robert Greenberg (II)
Sandra Will Carradine
E. Hampton Beagle
Writer: Heywood Gould
Producers: Jeffrey Bydalek
Daniel J. Heffner
Studio: Buena Vista Pictures
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"Cocktail" or 'Top Glass' is the kind of movie you'd be more than happy to see on an idle Tuesday afternoon, or on the day you begin your summer vacation. Either way, there's no denying that it's a cult classic, an intoxicating concoction in itself; mixed with some decent acting, a catchy soundtrack and people mooching around trying to be cool, it's principal issues revolve around the pursuit of wealth and the rejection of materialistic ideals (quite topical in the 80's) and although these characters are walking clichйs, a testament to the lost art of self delusion and complete denial of anything resembling reality, Cocktail is the kind of movie which will leave even the most jaded viewer thinking that life is really fun, a laugh, and quite honestly, a bowl of cherries.
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Cocktail Movie Review
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Cocktail
Roger Donaldson
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About the Movie
Tom Cruise is electrifying as Brian Flanagan, a young, confident, and ambitious bartender who, with the help of a seasoned pro (Bryan Brown), becomes the toast of Manhattan's Upper East Side. But when he moves to Jamaica and meets an independent artist (Elisabeth Shue), their vivid romance brings a new perspective to the self-centered bartender's life.
Actors
Screenwriter
Rotten Tomatoes Movie Reviews
TOMATOMETER
- Reviews Counted: 39
- Fresh: 2
- Rotten: 37
- Average Rating: 3.9/10
Top Critics' Reviews
Rotten: It is an inane romantic drama that only a very young, very naive bartender could love. How it got that way is difficult to understand. – Vincent Canby, New York Times, Jul 11, 2014
Rotten: Cocktail is a bottle of rotgut in a Dom Perignon box. – Richard Corliss, TIME Magazine, May 21, 2013
Rotten: Contains nary a surprise. – Variety Staff, Variety, May 21, 2013
Rotten: The pairing of old-hand Brown and young-hand Cruise may have been meant to remind us of Cruise and Paul Newman; if so, think of this as The Color of Counterfeit Money. – Sheila Benson, Los Angeles Times, Jul 11, 2014
Customer Reviews
My fave
Can't quite explain it, but this is a favorite of mine.
this is one of the worst movies i have ever seen
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Cocktail
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